An outline

 So I had to make an outline for my thesis and send to my supervisor, who also is my colleague, and I might just as well put it here too. So I can go back and compare to what it became when done. That is to say, this is all very much a preliminary outline.

1.     Frontmatter:

a.     Introduction

b.     Goals and aim

c.     Previous research

d.     Theory

e.     Method

f.      Limitations

2.     Thesis:

a.     Games as technical images

i.     Perspective and 3d rendering

ii.     Procedural images

iii.     Game production

iv.     Flusser’s technical images

b.     To be in the gameworld

i.     Experiencing vs. playing

ii.     Aestethic phenomenology

iii.     Atmospheres

iv.     Place as narrative

c.     Space and Time

i.     Storytelling

1.     Litterary narrative

2.     Play narrative

ii.     Games as Chronotopes

iii.     Games as teleological images

3.     Discussion

a.     Conclusions

b.     Useability

c.     Litterature

d.     Images


I guess it's a kind of map. 








Comments

Post a Comment

Popular posts from this blog

Check-in with Max

Image
 I just had a meeting with my supervisor, who had read my manuscript to this point, and it went very well. I do not know why, but I always think that meetings like that end in disaster, along the lines of "This is terrible, what the hell are you doing?" but that never happens. I got good feedback and it was great to see how well he understood my text so far. He had a few points that I really need to address. One of them is my tendency to use a lot of empty intensifiers that just need to be edited out. No problem, I know they are there, but they always seem so reasonable when I first write them, and then I see later that they do not do anything or even weaken my text. Another thing is two long paragraphs describing my game examples, which are too long and need to be closer to my arguments. This is more difficult; I wrote them because I know art historians do not play games, so I wanted to do a thorough introduction early on; but he's right and there must be a way to shor
Read more

What am I writing about?

Image
 There is a pleasure in being in a game world, an escapist pleasure of being somewhere else, in a more interesting world where you have more agency and more capabilities. This pleasure is not new, nor specific to games, on the contrary most art has this potential for escapism; paintings, novels, theatre, opera and cinema have all been mediaforms where other worlds have been crafted. Games have one more thing than the predecessors; games are interactive and can at times provide a very open structure for how to perceive oneself to be inside these other worlds. A painted world is static but lets the viewer wander over it's surface. A narrative story is linear and we must walk through it on the path given by it's creator. Games can be very open and allow for many different paths through a world, and the gamer has agency in it.  So I will look at the effect of being in the game world with a phenomenological eye and comparing it to ways of being in worlds made through painting, sceno
Read more

Time goes by so slowly

Image
Some writing fatigue. After many months of writing and editing, I'm in a bit of a dip. I'm reading a lot and looking at my manuscript, but writing very little at the moment. I'm not panicking, I'm on schedule, so I'm really in no rush. It might even be good to slow down for a few weeks.
Read more